Skip to content

DI LECCE STUDIO

DI LECCE STUDIO

Remote grading for commercials,
films and music videos.

Recent showreel
0:00 / 0:00

Contact

Nicolas Danoviz · Director

“We had three days to deliver and never felt like we were running out of time.”

View case study

Horror short film still
Thriller short film still
The Charmer cover
Music video still
Where We Left Off still

Results and reviews

Giuseppe brought clarity, momentum and true artistry to our projects when we needed it most.

Christine W. Chen Director Spec commercial · short film · needed cohesive visual identity

Visit profile

Giuseppe nailed the look almost instantly, across cameras, lenses and formats.

Toby Romero Director of Photography Music video · "Never Even Met Her"

Visit profile

The results were fantastic, exactly what we needed, and they were approved on the first render.

George Parsons Videographer Social media branded content · short deadline · tricky outdoor light

View project

Even with the time difference he was always available for notes, so we never felt like we were running out of time.

Nicolas Danoviz Director 5-minute horror short · 3-day deadline · zero panic

Watch film

He took a simple brief and elevated it into something exceptional.

Stu McCardle Director Sports commercial · simple brief · elevated look

Watch video

Giuseppe understood my vision instantly and made the whole process simple.

Julia Chase Director Music video · "Never Even Met Her"

Visit profile

I could just share what I was thinking and he knew exactly how to translate it into the image.

Giel Roggeveen Director of Photography Short film · DP collaboration · intuitive process

View project

His colour work truly brought the project to life and the result turned out way better than expected.

Melo Griffith Director Agency short film · tight budget · narrow window

Visit profile

Our 48 Hour Film Project short was nominated for Best Color Grading at the 48FHP at the festival, and working with Giuseppe felt effortless.

Ola Bielen Director 48 Hour Film Project · Best Color Grading nomination

View project

The cinematography was great, it just needed a good color grade to pop, and Giuseppe delivered.

Tyler Tramonte Director Music video · strong cinematography · needed the right grade

View project

He was 10/10 professional on a national charity project.

Kolter Bouchard Producer National charity spot · remote collaboration

Visit profile

After the work, the results made me feel very confident in our film.

Matthew Levin Director of Photography Short film · needed a dedicated colorist

View project

Contact

How we'll work together

Clear, calm and fast from brief to master.

In three steps we go from your cut and references to a master you can safely deliver, without last-minute panic.

  1. Phase 1

    Before we start

    Align and quote

    • You send the cut, deadline and a few references.
    • We check the schedule and ask only the questions that matter.
    • You receive a written quote with format, revisions, delivery and deposit.
  2. Phase 2

    While We Grade

    Build the look

    • You send a ProRes 4444 XQ master in log plus an EDL if available.
    • We match the cut, shape light and build the creative look scene by scene.
    • We review in Frame.io or live, with clear notes and revisions included.
  3. Phase 3

    Delivery and after

    Masters, LUTs and pickups

    • We export ProRes masters plus web encodes when required.
    • Optional LUTs, node trees and stills to document the look.
    • We remain reachable for pickups and next projects.

Impact on your project

What the grade actually changes for your project

Once we run through this three step flow together, directors usually say they feel a few big shifts: less risk, calmer deadlines, and films that feel bigger than the budget. Here is what that looks like in practice.

  • You ship on time without chaos. We keep the grade moving, keep notes organised, and make sure delivery never becomes the bottleneck.
  • Festival and campaign deadlines stop being a gamble. We jump into the project, clean the footage, build the look and deliver the master on the date we agree on.
  • You get one person obsessed with continuity. Shot matching, skin tones and contrast are locked before QC, not patched in a rush at the end.
  • No weird jumps between sequences. Power windows and qualifiers on every shot keep each scene consistent and easy to watch.
  • You have a partner, not a vendor. I flag unrealistic notes, suggest options, and protect both story and schedule when things change.
  • You never feel alone in post. Fast responses, clear exports and versions you can safely show to directors, clients and agencies.
Giuseppe portrait

About

Delivery you can trust.

Founded by lead colorist Giuseppe Di Lecce. We grade commercials, features and music videos for teams around the world, remotely. Here’s what to expect.

  • Speed Predictable turnaround, clear milestones, no last-minute panic. Predictable turnaround. Clear milestones. No last-minute panic.
  • Continuity Shot matching and sequence flow locked early, before approvals begin. Matching and sequence flow locked early. No end-of-project patching.
  • Collab Calm communication, focused notes, and approvals that move forward. Fast replies, focused notes, approvals that move forward.

Recent work spans commercials, music videos and features for international teams, including brands like Tamron, Lexus, Harmont & Blaine, Ralph Lauren, Baller League, Vevo, plus festival-selected shorts.

Request availability Send your brief, references and timeline. You’ll hear back on availability within 24 hours. Send brief, references and deadline. Replies within 24 hours.